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Estonian Theatre in Numbers 2022
01.11.2023
The emergence of the independent theatre scene in Estonia (1987–92)
12.03.2022
Poetics and perception of interartistic performance.
15.12.2021
Space as an active agent. On performative space in Estonian contemporary performing arts.
15.12.2021
Performativity of Gender by Early Modern Dancers on and off Stage. The Case of Elmerice Parts and Gerd Neggo.
15.12.2021
Constructing Finno-Ugric identity through theatre festival
27.01.2021
The travelling of dramatic texts and memory patterns. The case of Estonian memory theatre
27.01.2021
Greetings from the Year 2019 in Estonian Theatre
01.10.2020
Estonian theatre in numbers 2019
01.09.2020
Estonian Up & Coming
31.05.2020
New Estonian Drama
01.09.2019
Estonian theatre in numbers 2018
01.09.2019
Institutional and aesthetic developments in Estonian theatre
01.06.2019
Three phases of theatrical public sphere in Estonian Theatre
15.03.2019
Countdown beendet. Ein Nachruf auf das estnische Performance-Ensemble Theater NO99.
01.02.2019
How theatre can develop democracy: The case of Theatre NO99
15.11.2018
Baltic Lines
10.11.2018
Estonian theatre in numbers 2017
01.09.2018
The influence of natural monopolies on cultural democracy in the performing arts in Estonia
13.08.2018
Institutional and artistic changes in Estonian performing arts with a case study of Vaba Lava / Open Space
13.08.2018
Path dependency in theatre funding. Venues and their impact on dance productions in Estonia.
13.08.2018
Estonian Drama
01.05.2018
Theatre Pedagogy in a Changing World
01.01.2018
Principles for building the repertoire of Estonian theatres in 1986–2006
15.06.2017
Estonian Theatre
31.05.2017
How to explain popular to a dead hare?
05.03.2017
Hedi-Liis Toome doctoral thesis 21.12.2015
16.12.2015
Estonian theatre in numbers 2014
01.09.2015
Mobility and theatre: theatre makers as nomadic subjects
12.05.2015
What do actors do in contemporary theatre?
01.05.2014