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Totalitarian Romance

Author:
Marius Ivaškevičius
Director:
Hendrik Toompere jr
Premiere:
September 21st, 2024 at the big stage of Estonian Drama Theatre
lavastus-pic

Author Marius Ivaškevičius
Translated by Ilona Martson and Ene Paaver
Director Hendrik Toompere Jr
Set and video designer Epp Kubu
Costume designer Eugen Tamberg
Lighting designer Priidu Adlas
Composer and sound designer Hendrik Kaljujärv
Assistant director Ott Raidmets
Cast Tõnu Oja, Gert Raudsep, Kristo Viiding, Ester Kuntu, Andres Puustusmaa, Taavi Teplenkov

A free person can be turned into a slave if their memory is destroyed. A person who does not recognize their mother or know their people’s past can easily be made to fear a foreign master and be blindly loyal to them. This is precisely how the totalitarianism of the USSR humiliated and subjugated people, and how current Central Asian dictatorships do the same.

In a fictional legend by Kyrgyz writer Chingiz Aitmatov, there is a character called a mankurt, who has had his memory taken away through physical and mental violence. Marius Ivaškevičius’s new play is based on his conversation with a contemporary Tajik director, the Master, whose production "Mankurt" was banned in 2022 just before its premiere, and one actor was sent to prison for ten years. This awakens associations in the Lithuanian author’s memory from his childhood in the USSR, leading him to explore the era of Stalin and the cruelty and absurdity of new post-Soviet regimes. The Master tells of what both Soviet power and the current dictatorship have done to the language and culture of the Tajik people. Interwoven with the conversation between the Master and the Author is the fate of Mikhail Bulgakov, who wrote a play glorifying Stalin at the end of his life and thereby doomed himself, along with Woland and his entourage from Bulgakov’s novel “The Master and Margarita,” and the tragedy of many artists caught in the grip of power.

The performance is a collaboration of the Estonian Drama Theatre and Vaba Lava. The writing of the play was supported by Allan Kaldoja.

The performance lasts 3 hours and 30 minutes with two intermissions. 

The performances on March 4th and 8th, 2025 will have English and Russian subtitles.