Aydın Teker carries on exploring the process of 'becoming' of the human body in its extensionality in her new choreographic piece harS. The piece, created together with a former harpist and a dancer Ayşe Orhon is an inventive symbiosis between a human body and a harp, in which unexpected relations are relentlessly investigated. The body is complementing the harp by filling its gaps in space. Each curve and line of the instrument is re-discovered in its geometrical design. The coupling of two distinct entities enhances the piece a sculptural quality with images of chimerical beauty.